Post-Second World War, more competitors came into the market after the introduction of Eastmancolor 35mm negative. However, Technicolor was still used into the 1970s, with one of the last major American films to be shot in Technicolor being The Godfather Part II (1974) and Chinatown (1974).
Director (The Godfather Part II)
Francis Ford Coppola
Studio (The Godfather Part II)
Paramount Pictures & The Coppola Company
Penthouse, Long Road Productions & Robert Evans Company.